Friday, 15 July 2016

Book Review: Royal Highness by Thomas Mann

http://www.goodreads.com/book/show/12949767-royal-highness2016 review of a book written
by an author whose family name starts with the letter
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

In our times monarchies are all but in fashion. Much rather they are under criticism from many sides because hereditary heads of state seem a costly anachronism at odds with democratic values. Of course, the Kings and Queens that most of us have in mind are the absolute, often unjust or even cruel ones from fairy-tales and history books. In today’s reality, however, their never being elected by their people hardly matters given that in a modern parliamentary monarchy they no longer rule in fact. Instead, they are mostly limited to formalities and representation as shows the little known novel Royal Highness by Thomas Mann. Since the new Grand Duke is fragile and neurasthenic, his younger brother Prince Klaus Heinrich is called upon to take over all public performances. He accepts his duty, but it’s tiring and makes him feel empty. Then a wealthy American and his daughter settle down in the small, almost bankrupt country.

Wednesday, 13 July 2016

New on Lagraziana's Kalliopeion: Bombay Anna by Susan Morgan

http://www.goodreads.com/book/show/3071736-bombay-anna Nobody will deny that Anna Harriette Leonowens (1831-1915) was an impressive woman who led an extraordinary life for a woman in the Victorian Age. Nonetheless, nobody would still remember her, hadn’t her memoirs gotten into the hands of a Presbyterian missionary called Margaret Landon who wrote the biography of the English governess at the Royal Court of Siam in the 1860s. Anna and the King of Siam (»»» read my review on Edith’s Miscellany) quickly became a best-seller in 1944 and has been adapted for the stage as well as for the screen many times since. But how much of this story is true? In her biography Bombay Anna released in 2008 American scholar Susan Morgan ventures at telling The Real Story and Remarkable Adventures of The King and I Governess.

Read more (external link) »

Monday, 11 July 2016

Poetry Revisited: Annette by Robert Richardson

Annette

(from Willow and Wattle: 1893)

And they say, Annette, that you
Broke a foolish heart or two;
Can, I wonder, this be true?
Yet I will admit, Annette,
That you were a sad coquette;
Fain of praise and fain of kisses,
Fond of all the farthing blisses
That for fallen man unmeet are,
So they tell us, yet so sweet are
Fond of your glad world, and this is
All the blame I can recall
That on your young head should fall –
And I knew you best of all.

Save thought and little care
Than to braid your rippled hair,
Ribbon blue or crimson wear
Who in all this giddy fair
Who so bright and debonnaire?
Yet me thought, Annette, you were
Just a little tired sometimes
Hearing of the midnight chimes
Weary of the passing show,
Tired of rout, and Park, and Row;
Longing for the night's retreat,–
Weary little heart and feet.
Dancing days are quickly run –
Dead, and only twenty-one!

Ne’er so glad as when you had
Twenty lovers, man and lad,
Round you waiting for a glance
From your radiant beaux yeux
(Certes, they were very blue).
Twenty lovers in a row
Callow gallants, faded beaux,
I have seen them come and go,
Waiting patient for the chance
Of a single fleeting dance;
Mayfair's youth and chivalry
Bent to you their courtly knee.

Never more shall feet of yours
Lightly lead the laughing hours,
Lead the waltz's dreamy dance
To the “fair old tunes of France.”
Dancing days are fleetly run –
Dead, and only twenty-one!

If that ancient ethic view
Of Pythagoras be true,
Your light soul is surely now
In that bird upon the bough,
Singing, with soft-swelling throat,
To the wind that heeds it not;
Or in that blue butterfly,
Flitting like a jewel by,
Flashing golden to the sun.
Soon, like yours, its day is run –
Dead, and only twenty-one!

Dead a week, and not already
Quite forgotten – nay, what right have
I to doubt it; sure, we might have
Easier missed a wiser lady.
Over you the grass will blow,
Springs will come and autumns go.
Will you, Annette, ever know
There remain here one or two
Who will still remember you? –
O'er whose memory, now and then,
With a thought of sad, sweet pain,
There will cross your fair flower face,
And the bright coquettish grace,
With the memory of old days.

Somewhere there beyond the blue,
In the mansions that so many
Are, they say, is there not any
One of all, Annette, for you?
You, whose only trespass this is
That you loved the farthing blisses,
Broke a foolish heart in twain
That would lightly mend again.

Warm summer sun, shine friendly here
Warm western wind, blow kindly here;
Green sod above, rest light, rest light,
Good-night, Annette!
Sweetheart, good-night!

Robert Richardson (1850–1901)
Australian poet and writer for children

Friday, 8 July 2016

Book Review: Five Women on a Galley by Suzanne Normand

Click on the index card to enlarge it!
2016 review of a book written
by an author whose family name starts with the letter
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

The years following the Great War of 1914-18 were a difficult time, not least for women who were forced or wished to earn their own living. During the war many of them worked because most men were away on the battlefields of Europe and somebody had to do their jobs. After the war those men who had survived returned and reclaimed their jobs pushing women back into the roles of wives and mothers. But above all among the young generation there were women who refused to be confined to kitchen, children and church as before. Society made them pay dearly for their freedom as shows the semi-autobiographical novel Five Women on a Galley by Suzanne Normand that is almost completely forgotten today. Set in Paris in the first half of the 1920s – which qualifies it for Paris in July hosted by Thyme for Tea – it surrounds five friends striving for independence and happiness.

Wednesday, 6 July 2016

Already Checked Your Spam Comments Today?

You haven’t? Not good because it means that you might have missed some interesting comments that your spam filter mistakingly put there. What makes me think so? Personal experience as a matter of fact. For the past couple of weeks, whenever I tried to post a comment on a wordpress blog using my wordpress ID, I just jumped to the top of the page and nothing else happened. None of my comments ever appeared on the page, neither at once, nor any time later.

Monday, 4 July 2016

Poetry Revisited: Street Music by Elizabeth Akers Allen

Street Music

(from Forest Buds, From the Woods of Maine: 1855)

Methought a sweet sound from the street uprose, –
And as I pause, and strive again to hear,
‘St Patrick’s Day’ draws softly to its close,
And ‘Jordan’s’ waves flow sweetly to my ear,
What though from humble source the chorus floats?
Music is music, and I listen still;
I have ‘an ear’, – ay, two! – Even jews-harp notes
Pass current with me, hear them where I will,
A slight Italian boy, with jetty hair
Shading dark eyes, grinds out the melody,
Pulverized music! – In his garb and air
I read of sunnier lands beyond the sea,
And, dreaming, wander to a fairer clime,
Recalled, too suddenly, by – ‘If you please, a dime!’

Elizabeth Akers Allen (1832-1911)
American author, journalist and poet

Friday, 1 July 2016

Book Review: The Thief by Nakamura Fuminori

http://www.goodreads.com/book/show/15838962-the-thief
2016 review of a book written
by an author whose family name starts with the letter
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Today is the first day of July and I decided to begin this new month with my first contribution to Dolce Bellezza’s Japanese Literature Challenge X for which I signed up about two weeks ago. Despite me I picked a crime novel for review, but not a usual one surrounding murder and the more or less ingenious enquiry of a police officer, private investigator or nosy amateur who will without fail unmask the killer at the end. The Thief by Nakamura Fuminori rather belongs to noir fiction since it’s basically social critique as well as the character study of a young man without notable past… and without future. He has just returned to Tōkyo where he leads a solitary and frugal life going about his business as a pickpocket, when a dangerous gangster boss intimidates him into using his deft fingers to do three delicate stealing jobs for him.